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Judith Liber
A METHOD FOR HARP
 THE POWER OF MUSIC

Preface by Zubin Mehta

Boccherini
OPERA OMNIA. VOL. I: ARIE DA CONCERTO G 544-559

JAZZ PIANO MASTERCLASS
WITH MARK LEVINE:
THE DROP 2 BOOK

 

 

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PETER MAXWELL DAVIES: THE LIGHTHOUSE VOCAL SCORE



Author/Artist
Composer

Maxwell Davies, Peter

Instrument
Arrangement

Voice, Piano

Media
Format

Sheet music (Book) - 120 pages

Language

English

Publisher

Chester Music

Price

34,40 Euro

Item #

128068

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Description
Contents

A ghost story telling of the mysterious disappearance of three lighthouse keepers in the Hebrides.
This is a mystery story in the form of a chamber opera. The prologue is set as a court of enquiry into the unexplained disappearance of the three keepers from a lighthouse. Questions are posed by a solo horn, which may sound from among the audience, and three officers give answer. Gradually, they move from straight testimony into fantastical imaginings of evil during a ’flashback’ to the lighthouse; but then we snap back to the courtroom.
In the main act the three singers become the vanished keepers. They have been together for months, long enough to be fully aware of each other’s weaknesses; petty bickerings suggest a relationship which is stable, but liable to become highly unstable at any moment. They sing songs to reduce the tension, Blazes beginning with a rough ballad of street violence, accompanied by violin and banjo. Sandy’s song, with cello and out-of-tune upright piano, is a thinly disguised description of sexual bliss, and Arthur’s with brass and clarinet, is a tub-thumping hymn. But the songs serve only to resurrect in their minds ghosts from the past, and as the fog descends each of the keepers becomes convinced that he is being claimed by the Beast. They prepare to meet its dazzling eyes, which become the lights of the relief vessel, and the three men reappear as officers, met at the lighthouse only by an infestation of rats. They leave, and at the end the last hours of Blazes, Sandy and Arthur begin to play over again.
Vocal score with piano reduction of the instrumental score. Duration c. 1h 25mins.
Suggestions:

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10 new release in catalogue: Voice, Piano
· DOCE CANCIONES ESPAÑOLAS DEL SIGLO XVII DEL CANCIONERO DE SABLONARA PARA DOS VOCES Y PIANO
· JOSH GROBAN: ORIGINAL KEYS FOR SINGERS
· 13: THE MUSICAL - VOCAL SELECTIONS
· THE WORLD’S GREAT CLASSICAL MUSIC: GILBERT & SULLIVAN (VOCAL/PIANO)
· GAETANO DONIZETTI: LUCIA DI LAMMERMOOR
· GIACOMO PUCCINI: TOSCA
· ARIE ANTICHE VOL. 1 (RACCOLTE ED ELABORATE DA ALESSANDRO PARISOTTI)
· CANTOLOPERA: ARIE SACRE PER VOCE MEDIA
· CANTOLOPERA: ARIE SACRE PER VOCE ACUTA
· CANTOLOPERA: ARIE ANTICHE


More suggestions for Voice, Piano
· LUKE HAVERGAL VCE PFT
· CANTOLOPERA: ARIE SACRE PER VOCE ACUTA
· ARIE DA OPERE - VOCE DI TENORE
· LIEDER, VOLUME 2
· LIEDER, BAND 1

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